When the name of your band conjures up images of either (1) the human arse, (2) a vaudeville star named Brice, (3) a protagonist from an 18th century erotic novel by John Cleland, or (4) a character from a recurring 'Playboy' comic strip, you might have a bit of a problem being taken seriously. I'm referring to a mostly forgotten early '70s band named Fanny. The thing is, they were taken seriously -- at least for a while. They signed a major record deal, scored two top 40 hits, appeared on TV variety shows, and toured the U.S. with the big arena acts of the day -- before fading into footnotes. David Bowie once said, "Revivify Fanny. And I will feel that my work is done." So, Mr. Bowie, here's my contribution.

They didn't ride motorcycles through the halls of L.A.'s legendary Hyatt House, pay hotel doormen to smuggle hot groupies into their rooms, or smash pricey guitars to smithereens during performances. In fact, they didn't pull any of the typical stunts made famous by the male rock pioneers of the 1960s and '70s. Yet, they were trailblazers nonetheless. I'm talking about the mostly forgotten women of the early electric bands, who proved you didn't need testosterone to have talent. They wielded Strats, hammered Ludwigs, went on tour, signed record deals…and then just faded into footnotes. Now maybe, had they become obscenely rich, spoiled rotten by record executives, and bored shitless from endless touring, they might have developed the rock star habit of tossing TVs out of hotel windows. Maybe. But we'll never know. Here's the first in a series of articles showcasing the electric girl groups you've probably never heard of.

When a group of sisters got together in the early '60s to come up with a name for their rock and roll band, they turned to that greatest of reference guides -- the dictionary. Leafing through the large tome, they came across the word "hedonist." Definition: a pleasure seeker. Bingo! Formed in Grosse Pointe, Michigan, in 1964 by 17-year-old Patti Quatro, The Pleasure Seekers were born of Beatlemania and bred on Detroit muscle. They paid their dues in clubs and music festivals across the U.S., opened for a slew of big name rock stars, and became one of the first all-female bands to be signed by a major record label. But their biggest contribution to the world of rock came in the form of a 5-foot firecracker named Suzi Quatro.