Tolerance, Hairdo Envy, and Bad First Dates: Lessons Learned from a Brute & His Bride

Ah, you always remember your first time. There I was, in a dimly lit room...body tense and trembling under crisp sheets…heartbeat wild in anticipation…breaths short and shallow…spellbound by my first glimpse of something big, scary, and invasive…a spectacle that would excite me for the rest of my life: the 1935 classic, "The Bride of Frankenstein." This cinematic masterpiece introduced me to societal rejection, unrequited love, mob mentality, and the tortured soul of the outcast. It's the grandest monster flick of all time.

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Shall We Kill Him For You? Werner Herzog and His Best Fiend, Klaus Kinski

German filmmaker Werner Herzog, who turns 71 today, directed actor Klaus Kinski in his two most acclaimed motion pictures - "Fitzcarraldo" and "Aguirre, The Wrath of God." Kinski is regarded as one of the most temperamental - some would say insane - actors of the past 50 years. Here's a look at the strange relationship between the director and his l'enfant terrible.

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Mr. DeMille, He’s Ready for his Close-up: Gram on Film

Honky tonk honey Gram Parsons loved being in the spotlight. Whether he was singing and strumming on stage or posing for the camera in fancy finery and eyeliner, he was always the most exotic cat in the room. With his pretty face, Southern charm, and puppy-dog charisma, I believe he might have been just as adept at acting as he…

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The Original Lovely Rita

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Rita Hayworth in Gilda

Here she is:  the original...the one-and-only, Ms. Rita Hayworth. Feast your eyes on the screen goddess performing "Put the Blame on Mame" from the 1946 film noir classic "Gilda." It's one of Hollywood's most iconic scenes, and a top favorite of mine. And, as an added treat, you get to see the "Rita head toss" at the beginning of the…

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Vacancies Abound…in Frank Zappa’s Surrealist-Furnished Motel

I've stayed in my share of dreary motels, haughty hotels, Socialist-designed apartments with poster-board walls, and even nuclear plant "guest houses" (don't even ask) in villages with names that lacked vowels, but I've never experienced anything quite like Frank Zappa's 1971 mind-blowing movie, "200 Motels." But then, I never dropped acid, either. (Becherovka was the only substance available to numb the reality of the Motel Moskva in Brno, Czechoslovakia, the worst of my many lodging nightmares). Every time I thought I was losing my mind - traveling the weary road on business trips in the 1990s - I remembered the opening line of a movie I once saw, and suddenly I didn't feel so alone in my misery: "Ladies and gentlemen, you can go mad on the road." So goes the intro to Zappa's "surrealistic documentary," which opened at London's Piccadilly Classic Cinema in the U.K. on this date in 1971.

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