Bo’s Diddley Beat Made Lots of Beautiful Babies

An important event on this date kicked off what would become an indispensable element of rock-n-roll music for time immemorial. On March 2, 1955, legendary R&B master Bo Diddley entered a Universal recording studio in Chicago and burned onto vinyl his song "Bo Diddley." With it's distinctive five-accent rhythm beat, it launched a thousand rock songs. The sound sprang from traditional African clave rhythms and gave way to a style known as "hambone" - a technique of making music by slapping one's arms, legs, cheeks and chest while singing simple rhyming songs. Say the phrase, "shave and a HAIR CUT…TWO BITS" and you get a simple idea of the rhythm. Lots of Diddley-based tunes are obvious, like "Willy and the Hand Jive" and Bo's own "Who Do You Love?" But you may not realize just how many songs have been fueled by that distinctive beat. No rocker can resist it! Here's a collection of my favorite Bo Babies. Turn your speakers up loud and go crazy, man, crazy!

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Carl Perkins: Spreading That Blue Suede All Around the World

What's the first thing that comes to mind when you think of Rockabilly King Carl Perkins? Yes, "Blue Suede Shoes." Congratulations. I hope no one out there thinks that Elvis wrote this rockin' ditty. His version seems to be the one everybody remembers. Chalk it up to hair and hips. But it was the El's buddy Carl, the poor 'ol sharecropper's son from Tennessee, who wrote and first recorded it. Since its release in January 1956, there's never been a shortage of blue suede in the world of rock. The song has been covered by everyone from The Beatles and Buddy Holly to Bill Haley and Pat Boone. But I'll bet you didn't know that some rather unlikely artists have also recorded and performed this most sacred of rock tunes. Here's a smathering of some rather outré Blue Suede renditions, plus covers of other Perkins classics.

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Happy Birthday, Scotty Moore: Rock’s First Lead Guitarist

"Everyone else wanted to be Elvis; I wanted to be Scotty," Rolling Stones guitarist Keith Richards once told music writer James L. Dickerson. He's referring, of course, to Scotty Moore, the finger-picking phenomenon who has long been considered rock's first lead guitarist. Mr. Moore, who turns 83 today, was Elvis Presley's sizzling sideman from 1954 through the mid-'60s. He combined elements of country, western, blues and R&B to create the signature sounds you've heard on countless classic recordings: "Hound Dog," "Jailhouse Rock," "That's All Right," "Good Rockin' Tonight," and "Mystery Train," to name a few.

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Let the Jukebox Keep on Playing

December 19, 1980: That was the last time I dropped a quarter into a jukebox and had the pleasure of hearing THREE songs. I'm thinking they were "Brass in Pocket," "Emotional Rescue" and "Romeo's Tune." Why would I recollect those kinds of details? Because they relate to a memorable first date, that's why. In my heyday, jukeboxes and romance went together like woofers and tweeters. On this date in 1889, the world's first jukebox was installed at the Palais Royale Saloon in San Francisco. The majestic music boxes would go on to provide the soundtrack to many a 20th century romantic rendezvous.

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Scott Joplin and the Meaning of ‘Ragtime’

Composer and pianist Scott Joplin, The King of Ragtime, was born on November 24, 1868. Most people know his music from the 1973 movie "The Sting," which featured his tunes as interpreted by the late pianist Marvin Hamlisch. The film created a resurgence in the popularity of Ragtime music. But do you know how the genre got its name?

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