Give me your music, your art, your huddled masses of words and rhythms yearning to breathe free.
August 25, 2015: I took a road trip with “Born to Run” yesterday. It’s the 40th anniversary of Bruce’s groundbreaking album, and there’s no better way to experience it than by blasting it in your car, with the windows open and the wind blowing back your hair. Cars and tunnels and backstreets and highways are … Read more
When the cops finally busted Madam Marie, the young ne’er-do-well knew it was time to leave the seaside carnival life forever. Riding Tilt-a-Whirls and chasing factory girls underneath the boardwalk…cruising the circuit with switchblade lovers and open-shirt casino boys…it was all kid’s stuff. Someday he’d look back on those barefoot slacker days and sex-seeking nights, and rage against the dying of the pier lights that once cast a protective cover, like a soft beach blanket, over his body and hers. But now, as the fireworks hailed over his Little Eden on that 4th of July, he determined it was time to move on. And, taking a page from that ancient tome, “Seduction Tactics 101,” he made his plea to sweet “Sandy Girl:” Love me tonight, for I may never see you again. Ah, how I miss the beach life lullabies and city-sidewalk serenades that Bruce abandoned long ago! Songs like “4th of July, Asbury Park (Sandy)” are among the most visual and desperately romantic works in his catalog. And this one, in particular, is as beautiful and wistful as they come.
There’s no city in America that defined labor quite like beautiful, hardscrabble Pittsburgh. Our workers produced the big, hard, heavy, clanging things that made the world go ’round: iron, steel, aluminum, glass, massive rotors, giant generators. Nobody worked as hard as Pittsburghers. And nobody wrote and sang about the working class lives and loves of … Read more
At a show at New York’s legendary Apollo Theater a few months back, Bruce Springsteen joked that he was the “hardest working ‘white’ man in show business.” Bruce made this remark in homage to one of his idols, the late James Brown, the soul-funk sensation long known as the “hardest working man” in the business. James, the Apollo apostle, often performed up to 330 one-night shows per year, in extravagant bop-till-you-drop style. Growing up in extreme poverty may have driven James Brown to work till exhaustion, but what inspired a middle-class white boy from Long Branch, New Jersey, to rock his heart out onstage for four hours, night after night, from beach bars to coliseums? “His love of his fans” is one easy answer. But it goes much deeper than that, as I was reminded after reading a fascinating profile of Bruce in the July 2012 issue of “The New Yorker” magazine.
All the king’s men. That’s a royal court that could include every seasoned rocker whose creative spark was first lit by the sight and sound of Elvis Presley. They started out wanting to be him, and spent their lives dying to meet him. Most artists had to wait till they were big league players before even contemplating a face-to-face with Elvis. And even then it wasn’t easy to enter his well-guarded world. But one late night in 1976, a young musician on the cusp of superstardom had the chutzpah to drop by Elvis’s Graceland mansion, and pay The King a personal visit.