‘White Frankenstein’ Edgar Winter: The First to Wear a Strap-on

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Today is the 68th birthday of multi-instrumentalist Edgar Winter, who - along with his deceased brother Johnny - was highly recognizable as one of the few albinos in rock. But far beyond that, he's also a talented keyboardist, saxophonist and percussionist who's famous for fusing jazz, rock and blues. His Edgar Winter Band is best known for their monster instrumental track "Frankenstein," which hit the top spot on Billboard's Hot 100 in May 1973. The wild jam indeed raised the dead and helped pioneer the use of synthesizers in music.

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Happy Birthday, Scotty Moore: Rock’s First Lead Guitarist

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"Everyone else wanted to be Elvis; I wanted to be Scotty," Rolling Stones guitarist Keith Richards once told music writer James L. Dickerson. He's referring, of course, to Scotty Moore, the finger-picking phenomenon who has long been considered rock's first lead guitarist. Mr. Moore, who turns 83 today, was Elvis Presley's sizzling sideman from 1954 through the mid-'60s. He combined elements of country, western, blues and R&B to create the signature sounds you've heard on countless classic recordings: "Hound Dog," "Jailhouse Rock," "That's All Right," "Good Rockin' Tonight," and "Mystery Train," to name a few.

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Vacancies Abound…in Frank Zappa’s Surrealist-Furnished Motel

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I've stayed in my share of dreary motels, haughty hotels, Socialist-designed apartments with poster-board walls, and even nuclear plant "guest houses" (don't even ask) in villages with names that lacked vowels, but I've never experienced anything quite like Frank Zappa's 1971 mind-blowing movie, "200 Motels." But then, I never dropped acid, either. (Becherovka was the only substance available to numb the reality of the Motel Moskva in Brno, Czechoslovakia, the worst of my many lodging nightmares). Every time I thought I was losing my mind - traveling the weary road on business trips in the 1990s - I remembered the opening line of a movie I once saw, and suddenly I didn't feel so alone in my misery: "Ladies and gentlemen, you can go mad on the road." So goes the intro to Zappa's "surrealistic documentary," which opened at London's Piccadilly Classic Cinema in the U.K. on this date in 1971.

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Hey, Jimi: Where Ya Going with that Guitar in Your Hand?

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Cutting your teeth...honing your skills...paying your dues...(and, my favorite)...making your bones.Whatever you want to call it, Jimi Hendrix did it all in the days prior to achieving eternal super stardom as the greatest rock guitarist of all time. He played for years in backup bands for such American artists as Little Richard, Sam Cooke, the Isley Brothers and Joey Dee and the Starlighters. He also spent an evening playing backup for English crooner Engelbert Humperdinck and once toured with The Monkees as an opening act. Perhaps more than any other musician in rock history, Jimi Hendrix loved to play. It didn't matter what, where, when, or with whom.

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José Feliciano: Singing Out, in the Land of the Free and the Home of the Brave

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I generally consider someone a true artist if he or she has the courage to produce straight-from-the-soul work that is so provocative it's likely to offend the masses, incite controversy, and, ideally, inspire people to open their minds and question long-held beliefs. When you think of such artists, Puerto Rican singer/songwriter José Feliciano doesn't immediately spring to mind. Yet, he made an artistic statement 46 years ago this month that was viewed with such contention that it nearly ended his career. His offense? He performed a soulful, Latin jazz version of "The Star Spangled Banner" to kick off the fifth game of the 1968 World Series, a matchup between the St. Louis Cardinals and the Detroit Tigers in the Motor City.

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